Category Archives: Louise Carson

Poems I might have written

Poems I might have written

Louise Carson

1

You were everything to aim for.

Only to touch you –

Later, ennui.

Snowflakes fall between glass and sun’s glow.

2

Full-throated agony kept landlady, neighbours awake,

wore down my teeth.

Detached, silent house. Muffled majority.

One quarter of my heart sobs on.

3

Depression took pills and alcohol,

foreshadowed cousin’s later death.

Vomit dries on floor.

Scrubbing brush wakes me up.

4

Oh, shame. A few beatings,

a couple of slaps.

Love-need.

Choked off.

5

Pelvic bones ache, loosen, at the thought of her.

Leaving, she entered me.

Even this deepest love,

changes.

6

Sometimes the old win the wars,

take possession.

But the young have hours.

Their bodies heat the room.

7

Dread, the hunched supervisor, waits to crush hope.

It will take me over again.

Be calm.

All love must lie down and doze.

8

Then what are tears? Sweet homage, ghost gifts,

liquid feelings.

Eye-wash to loosen grit.

Heart’s anti-freeze.

Image: Harry Rajchgot (2023)

Telling the decades

Telling the decades

Louise Carson

 

I visited the beautiful house last night,

last dream before I woke.

It was better kept than before but still

I was unsure – which entrance?

‘It reconfigures every time,’

I said to the friend beside me.

Inside we were a half-dozen women.

The oldest made tea in a red tea pot.

One, dressed as a man, soon left, muttering,

her one-woman show called ‘Groom.’

I sat chatting, my back to the lake, woke up happy.

The house wasn’t mine anymore.

Photo by Harry Rajchgot (2006)

Third anniversary

Third anniversary

Louise Carson

And even after six hard frosty nights,

dry standing corn still sings with insect life.

The squirrel jerks its tail, clucks my approach,

relayed by blue jay cry and thudding grouse.

Reflecting colour up, the fallen leaves

(it’s not autumn unless I mention these),

the fallen leaves complete my metaphor:

feet grind them into finest mould.

Where is she now that time, time’s her betrayed?

The address in my hand’s too small to read.

By morning’s side then, somewhere near a farm.

In the crypt, other women keep her warm.

Did I, do I ever, visit her grave?

My heart her grave, I walk there every day.

Christmas tree

Christmas tree 

Louise Carson

Snow squalls tear at petals

                                                                                                                                                            and you can’t see this miracle

of intemperate growth in your own back yard

or remember the slanting lane

(vision of men in flat caps

walking to work past brick warehouses)

where the parent tree began one spring –

                                                                                                                                                            or the granary shed

made of sun-burned hemlock and tin

in front of which where it never was before

winter’s magnolia

transplanted from city shrunken leaf-nude

is dream – flowering

                                                                                                                                                            angels and glass candy woven in.

Fipple

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Fipple                            

by  Louise Carson

 

     ‘the sounding edge of a side opening’ – Webster’s

Sounds like a word old as creation:

Adam’s pain: his rib-mouth constricted, plugged.

Eve’s voice pops the cork: champagne for everyone.

On Iceland, where only the land is indigenous,

magna thrusting, they have a word for a horse’s lip:

flipi, related to fipple, as Iceland relates to England and Norway.

So this northland pony, little fjord horse,

opens his mouth to the side, blows air over that plug, his tongue,

plays his penny whistle, his fipple of unknown origin.

 

photo by:

Rebecca Rajchgot: Iceland Ponies, 2014

Wedge

Wedge

Louise Carson

 

Wedge. A great word

      caught in my beak.

          Wedge heel. Can’t be

              caught in the grate.

                  Wedge the budgie

                      yellow

                  in his cage.

              A wedge of geese

          honk no surrender in a

      Wedgewood sky. The manuscript

wedged under my door keeps it open.

The fifty-year-old house

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The fifty-year-old house

Louise Carson

 

How happy she was she didn’t buy it:
a rooming house, abortion clinic.
Finally, burnt out.

The unhappy house.
No one ever loved it.

-photo Harry Rajchgot

She brings you down

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She brings you down

Louise Carson

She brings you down to her level,
splits with a flick.

Personally,
I don’t mind her house of moods.

Trumpets swell,
chocolate boxes rattle, full of shells.

Once you’re there, give up;
there won’t be any signals.

And what’s so funny about dipping your knife in tea,
when what you wanted was honey?

The fields begin to sheathe themselves

The fields begin to sheathe themselves

Louise Carson

The fields begin to sheathe themselves in some
soft metal underfoot as they ripen
into hardness. The air quiets. Except
for Christmas’ three-week hum, traffic thins.
Some life has left the earth, been driven down
and in. The metal spreads its silent hymn
that sings of hardship, night; of frozen beings,
their signals lost; records the broken keen
of almost dogs. They spread out as they run
for meat. Under the trees their lines bisect
the rabbits’ shorter curves. Life joins life:
gray fur, brown fur, metallic scent of blood.