Tag Archives: John Grey

THE PIGEONS

THE PIGEONS

John Grey

There are no songbirds

for what’s there to sing about.

Only pigeons remain,

in the rafters

or under the eaves

of every building in town.

There are few trees

and the intermittent crack of rifles

is enough to drive every curious

finch or sparrow or starling

back into the distant woods.

And an explosion can come

any time, any place.

Even the churches

provide no sanctuary.

Nor is the sky itself

safe from stray bullets.

Most measure wars

in the number killed,

the graves sprouting like crocuses

on battlegrounds more wintery

than winter itself

But some tally up the cost

by listening to what’s not there.

Ears attuned to the lark,

they hear only the

squabble-like coo of the pigeons

Amidst the war,

the dove of peace

is merely the dove

that knows no better.

image by Harry Rajchgot

TRICKS

TRICKS

John Grey

Pick a card.
Any card.
Let me guess.
It’s the sunlit oak trunk
of Canadian forests.
No wait,
I see red-shelled bedbugs
and the suit…
the flag of storms.
Now put it back
among the tender people
and the loudmouths,
the revolutionaries
and the computers.
Let me shuffle.
Pick another card.
It’s the black misted canyon
of New York hotels.
Am I right?
Stop shaking your head like that.
I know it’s thousands of people in pain
of the metal finger cymbals.
I’m sorry.
You were expecting
the ten of clubs or something.
But I’m not a magician.
You don’t even need
to pick a card.
I can tell you it’s
the penumbra of reckless cancers
or the weakened eye
of Capitalism’s forefathers.
Okay, no more tricks.
I’ll just hand you
the last thing I wrote about you.
No, don’t shuffle it.
Don’t ask me to pick a card.
If you know it’s the
white-capped waters
of love long passed,
then what’s left for me to say?

photo by Harry Rajchgot

THE TRACTOR AND THE FARMER’S WIFE

John Grey

 

It’s one thing to be private.

It’s quite another to be so obsolete

that your tires are flat

your flywheel’s shot

your gas tank’s empty, rusty.

and you’re abandoned

hi the far end of the paddock,

mid-winter,

smothered in a foot of snow.

It’s one thing to think that the ideal

is to be done with work.

cooling off,

when that work is what’s sustained you.

and you’re not cooling off,

you’re freezing up.

And sure, it’s one thing

to materialize out of melting,

with spring upon you,

the unplowed field ahead of you,

when there’s a newer model in the showroom.

and the bank is making loans

to every farmer in the county.

And it’s one thing to be a tractor.

But such a misery to be you.

The Travails of Hunger

The Travails of Hunger

John Grey

 

Hunger is well-traveled,

knows its way around the globe,

the cities, even the countryside.

And it’s sometimes selective, 

sometimes random – it’s

there for a famine 

but also for a family man

who’s just been fired from the job.

I don’t know whether or not

hunger ever feels guilty.

It leaves conscience to those

who know where the fat resides,

keep it apart from the lean.

Hunger just takes like 

something that’s hungry itself.

So biting and gnawing,

swallowing, devouring, 

it sates its deprivation.

But hunger is never satisfied.

It’s acquired a taste.

No question where it stole that from.

GHETTO CHILDREN

GHETTO CHILDREN

 John Grey

 

We had to stay in

perfect position

not only throughout

the class

but even as the bell rang.

 

We carried

pencils and paper

for note-taking.

We took no notes.

 

For we were

the paper.

Our instructor

was the pencil.

 

He wrote all

over us –

“Good children.”

 

Come the war,

the words were rubbed out,

replaced by

serial numbers.

 

CACTUS

CACTUS

John Grey

I wouldn’t recommend the roadside.
And not on such a desert straightaway
where every passing car
kicks up a cloud of dust.

In a ditch of all places
and so small,
your roots get by
on water memory,
your fruit’s
a sun-scorched pebble.

But plants – not even cactus –
ask me the best place to prosper.
Seeds nestle down where they are blown
and try to make the best of it.

Besides, why else would an Australian be
on this highway in New Mexico?
A seed – an adaptation –
you have to believe
you can bear fruit anywhere.

 

photo by Harry Rajchgot, 2010

LOVE AND THE FINER THINGS

Rodin's lovers - Orangerie

LOVE AND THE FINER THINGS

John Grey

Love.
not a German bellarmine jug
but a real wheelchair
with his left hand
flopped over the side.

It could never afford delftware,
though there were tunes
the fields, the fence, the firs,
were as dainty and detailed
as punchbowl decoration

It was willing to sacrifice
a Ming fish jar,
Spode earthenware hot-water plate
for slippers
and a kind of dance
when you lift him into bed.

Love
had in mind the Royal Doulton
and the green glazed tripod vessel
but settled on the weathered palm,
your fingers wrapped inside it,
like the roots of an ancient flower.

Love,
just an ordinary paperweight;
not St Louis crown.
A bare bulb,
no silver gilt figured candlestick.

Besides,
despite their worth,
the artisans are long dead.
And you are poor but breathing still.
Love takes that it into account.

Dylan Thomas at the Whitehorse

IMG_0797Dylan Thomas at the Whitehorse

John Grey

We go there –
the Whitehorse –
to indulge ourselves
in the very same place
where Dylan Thomas claimed
to have knocked back
18 straight whiskies.

A lie of course.
In his shape,
half that amount
would have dropped him
like an uppercut.

But maybe
he scribbled some lines
on an napkin just like this one.
Or he farted and belched
and the stench hasn’t quite
removed itself from the cloistered air.

It’s romantic to suffer from
a fatty liver, swelling brain,
and gout and chest pains
and still summon up the bravado,
the fury, the fight,
to rouse, out of their
schoolmarm Keats and Wordsworth,
a couple of neophyte poets
who weren’t even born at the time.

We go there –
the Whitehorse –
celebrate the myth
as much as the reality –
a couple of beers each,
but so many more
to tell the folks back home.

MEETING THE ONE

MEETING THE ONE

by John Grey

 

So loneliness is an airless, colorless, dungeon

and nowhere drearier than in the heart,

with, as a food source, the worms at the base of the well,

slithered up by kiss-less lips.

 

And the joining up is what they will remember,

when they feel gratitude from all directions,

these young men marching hi full light,

chests swelled, arms reaching out.

 

Each one may have been a martyr to his ditch of darkness,

in the depths of a crevasse, in the shadows of the blind.

It could have been be a black hole maybe twenty miles deep,

with only the rats who occupy their minds.

 

And then there’s the one –

and that’s the last they’ll see of all that darkness.

For dungeons and wells, ditches and crevasses –

only the pit of a heart resembles these.

But press it soft against the breast of a lover

and shoot and explode, destroy and sabotage all dark places.

 

So here they all are, happier for being proudly selfish.

It’s a great day. It apologizes for the days not like this.

IT’S A DOG’S WORLD

IT’S A DOG’S WORLD

by John Grey

Why shouldn’t I jump from the roof?

The evidence:

coffee spills, bills, talk radio, canned food, clichés.

As for the last of these,

I’m always either dog-tired or sick as a dog.

Not forgetting the dog-eat-dog world

and the sleeping dogs within me

that I tease too much,

and have no one else to blame

when they snarl and bite.

As Hank Williams once sang,

“I’m in the dog-house now.”

And yes, my face never varies from

“you look like somebody just shot your dog.”

Forget the coffee spills, the bills, the talk radio, the canned food

I’m a trembling mess of canine clichés.

So why shouldn’t I jump from the roof?

Ok, so it makes more sense to chase my tail.

Or sniff somebody’s butt.

Or drink out of the toilet

Or tree squirrels. Or bark at strangers.

But I’ve done all that. None of it helps.

Besides, it’s a very low roof on a very low one story home.

I can easily land on all fours.

It’s just a show after all.

And if that’s what the pretty bitch next door wants…

ADDICTION

ADDICTION

by John Grey

I despise habit,

these patterns that won’t let up; my body keeps doing everything

my brain warns it against;

I’m combining cough syrup with cheap vodka;

I’m floating like a butterfly

where butterflies don’t belong;

I’m having sex

with the kitchen floor

and my body is molasses sticky –

let’s not quibble –

it’s really molasses sex;

and now I’m drifting above myself,

looking down at ordinary life,

a superior being

on a Wednesday afternoon

in August;

and there goes my brain again,

repeating over and over,

it really is up to me;

but my body is oblivious –

for all the addition my mind invokes,

I’m down with the subtraction.